
Last night, I saw a play, which is not that unusual. In fact, I see so many plays that I am seriously considering starting a new blog devoted just to discussing the plays that I see. However, given the feast-or-famine mode in which I manage to post to this existing blog, it probably won't happen, since theatre is best discussed immediately after the viewing of it, when all the raw emotions and opinions associated with the experience of the event are still fresh. Waiting two months to finally write about a show just wouldn't work.
The play that I saw is called "Greater Tuna." It is a pseudo-farcical comedy set in Tuna, Texas, "where the Lion's Club is too liberal and Patsy Cline never dies" (quote from a press release). This was the final performance, and I know for a fact that I bought the very last ticket. I called the theatre yesterday afternoon to ask if there were tickets available, and I was informed that there was exactly one left. I was further informed that the service charges added to the ticket price if I bought it by phone would be $8. Since we live two blocks from this theatre, that seemed like a really stupid charge to pay. So I ran over to the box office in my pajamas, and snagged it in the nick of time. How many people can say that they bought the final ticket to the final performance of a play that ran for nearly fifty performances? In their pajamas? I find that rather novel.
I think that the play was probably funny, especially given the peals of laughter constantly radiating from the audience, but I was too distracted to know for sure. This is because I was surrounded by the audience from hell. Actually, I was surrounded by the five audience members from hell. I think that if the seats had all been empty except for these five people sitting around me, it still would have been the audience from hell, except that I could have moved to a different seat, so it would have been much better.
I guess I'll just start with the person in front of me, and go counter-clockwise from there. Directly in front of me, at 12:00, meet Mr. Elbow. Now technically, Mr. Elbow was sitting at 11:00, and his wife/girlfriend/date/whatever was sitting at 12:00. However, for most of the performance, Mr. Elbow had his arm around 12:00. But rather than smoothly curving his arm around her, he had his elbow jutting 6" into the aisle behind him, which meant that if I didn't have my butt directly up against the back of my seat, or if I shifted position slightly, my knees hit Mr. Elbow's elbow, and he shot me a dirty look.
Shifting our view over to 9:00, we see the obnoxious icky couple. She looked like she was in her mid-twenties, and he looked like he was in his sixties. At first, I had assumed they were father and daughter. Now, sunrise-sunset relationships, I don't generally have a problem with that, unless it seems like one party is taking advantage of or abusing the other. I love Love, as long as no one's getting hurt. And public displays of affection, I don't mind that either, as long as it's not over-the top. Seeing a bit of PDA can even warm my heart, as I find myself feeling so happy that these two people are making each other happy. I am, after all, a sucker who cries over Hallmark and Johnson&Johnson commercials. But put a sunrise-sunset relationship and PDA together in a crowded theatre, and it's just gross. They weren't actually making out, but his hands were on her most of the time - caressing her thigh and/or her hands so loudly that I could hear the sound of flesh against fabric or flesh with every brush. Eww.
But it gets worse... She was treating the audience like her own personal lounge chair, twisting her body at an angle so that her upper body was leaning against her husband/boyfriend/date, and her lower legs were firmly within the space in front of my chair. I suspect that a few of the dirty looks from Mr. Elbow may have been a result of her knees, not mine. So not only did I have to sit up as straight as possible to avoid bumping Mr. Elbow, but in order to avoid her, I had to keep my legs together with my coat and scarf piled on top of them like a fort.
But that's not all... occasionally, I did get some relief from her legs invading my personal space, when she sat up straight to take a picture. So every once in a while, I was distracted by the bright glow coming from the 3" by 2" screen of her camera. She didn't use a flash, but I kept hoping that she would, so that the house managers would stop the show and kick her out of the theatre.
Turning all the way around to 6:00, we meet the gaze of Mr. Repeater. I think this guy thought that he was attending a performance of The Rocky Horror Picture Show, where it is considered normal to loudly repeat every funny or shocking line that is said by the performers. Not so, at Greater Tuna.
Performer: "The dog's already dead. I just need you to run over it so that it looks like it was an accident."
Mr. Repeater: "Like it was an accident! Hah!"
Another performer: "That's Spanish for 'Please send a boy to get my bags,' which is really all the Spanish that a true American needs to know."
Mr. Repeater: "Please send a boy to get my bags! Hah!"
And so it went.
Our tour of the audience from hell ends at 3:00, where we see, or rather smell, Sir Farts-a-lot. This guy had very bad gas, sulfuric gas, the kind of gas that smells like rotten eggs, inducing watery eyes and a gag reaction. Of all the castmembers of "Audience From Hell," a show that may be arriving in theatres shortly, he is the one whom I found it easiest to forgive. At least he had no control over his actions, short of deciding to leave. And he earned bonus points by leaning over me during the intermission, to explain to the picture-taker that her actions were making it difficult for him to enjoy the show. It was hard not to snicker, given that this statement was coming from the direction of Sir Farts-a-lot. I had been preparing to make a similar statement to her myself, so I was grateful to him for doing so. Suddenly, I had an ally, albeit a smelly one, but an ally nonetheless.





















































