Friday, June 8, 2012

Sarah's Favorite Tria Cake

Doh! I just realized that when I first shared this, back on April 1st, I posted it to my style blog Circle of Clothes rather than here at Tequilatrek. So, in typical fashion for my sporadic blogging habits, this post is long overdue.  And the rare visitors to my style blog have probably been very confused.
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Ah, the second show of the Spring semester at Rowan University's Department of Theatre and Dance... almost always the most grueling costume build of the year, and this year even moreso than usual. But what better way to dive back into having a life outside work than by getting together for dinner with our good friends Doug and Sarah? I like to think of them as the Lucy and Ricky to our Fred and Ethel. Or something like that.

Sarah made fantastic London Broil and asparagus, and Bryce made what I have come to think of as his signature side dish: garlic mashed potatoes. I didn't snap a shot of the other dishes, but here is Sarah slicing the London Broil:


I think the red juices might not be simply blood from the meat, but rather, wine from the marinade in which the meat rested for 24 hours before broiling. Then again, it might be mostly blood. I call Sarah the Meat Queen because she really knows her meats - the different cuts, and the best ways to prepare them, and she is so good at it. She is as well-known at her favorite butcher in the Reading Terminal Market as any of the regulars were at the bar on Cheers.

So speaking of amazing food resting on a blood-red puddle, that's how I'm going to segue into the main topic of this post:  I told Sarah I was bringing dessert, but I wanted what it was to be a surprise. Sarah's favorite cake from Tria Cafe in Philadelphia looks like this:


It consists of a cake that we know includes olive oil, rosemary, and cornmeal, and it sits on drizzled blood orange sauce and gets topped with mascarpone.

I couldn't find a recipe that seemed just like it, but I did some research and developed one that I thought would make a decent knock-off. I was so excited about surprising Sarah with this. We concluded that aside from being presented as a big slice atop a large puddle of syrup, rather than as a cute little cake that had been baked in an individual ramekin, it is a solid imitation. And it's yummy!


It also makes an excellent Sunday morning breakfast. :-)


SARAH’S FAVORITE TRIA CAKE
(my attempt at an Olive Oil-Rosemary Cake with Blood Orange Syrup and Mascarpone)

1) Prepare a round cake pan by coating with olive oil and dusting lightly with flour. Cake could also be prepared in individual ramekins, presumably requiring a reduction in baking time.

2) Combine dry ingredients in a large bowl:
1 1/2 cup flour*
1/2 cup cornmeal*
2 tsp baking powder
1/2 tsp salt


3) Beat or whisk together in medium bowl:
3 eggs
1 cup sugar


4) Add remaining ingredients into medium bowl, beating or whisking until just blended:
2 tbsp finely-chopped fresh rosemary*
1 tbsp finely grated blood orange zest
1 cup olive oil*
3/4 cup whole milk
3/4 cup white wine


5) Add wet mixture to dry mixture, stirring until just blended. Do not overmix.

6) Pour into prepared pan. Bake at 350 degrees for 50 minutes, or until toothpick inserted in center comes out clean. Cool 15 minutes, then invert onto a cake plate.

7) Serve warm or at room temperature, resting each slice on a drizzle of blood orange syrup (recipe below), and topping with a dollop of mascarpone.

*The next time I make this, I will probably experiment with reducing the olive oil to 3/4 cup, increasing the rosemary to 3 tbsp, and using more cornmeal and therefore less flour.


Blood Orange Syrup:

1) Stir together in a heavy medium saucepan over medium heat:
2 cups blood orange juice (we found this took about 16 blood oranges)
1/3 cup sugar

2) Once sugar is dissolved, increase heat and boil until syrup is reduced by half, down to about one cup*. Stir frequently and reduce heat as needed to keep from boiling over, as it tends to foam up quickly. Serve at your preferred temperature.

*The next time I make this, I will probably experiment with adding cornstarch or arrowroot to thicken the syrup. It was not so much a drizzle as a puddle, and I would like it to be thicker and soak into the cake less quickly.

Monday, January 9, 2012

My Ballroom Dancing Dream Gown




I'm calling this one of my master works of my lifetime. Or at least I will, when I finish it. From initial research and conception to its present state, it has been over a year in the making, with over 100 labor hours and I-will-not-say-how-many dollars invested in it so far, and it's still not done. But I got it this far along, to the point of wearability and a significant "Oh, my!" factor, in time for a Quickstep that I performed with my ballroom instructor Vlada as part of the showcase night at Stardust Ballroom on 11/11/11.





There is much that still needs to be done to it before I wear it again:
-Continue the applique work further down the hips, especially on the left front, so that the transition from stretchy print to non-stretchy solid feels more organically flowing, and less blunt and jarring, also giving a smoother fit down to hip level.
-Take it in more through the waist... not a minor matter, since this will require partially removing some of the appliques in the waist area, performing the alteration, then reapplying the appliques. If you look closely enough, you may notice some slight bulging above and below one side of my waistline in some photos. This was the result of a "quick fix" - snugly applying an internal elastic waistband, intended to bring the fit closer to my waist in the torso area, where the leotard fabric had stretched over the course of many hours of holding it taut it while zig-zag stitching appliques onto it. It looks fine when I'm standing up straight, but when I bend or flex at the waist, the internal elastic waistband has the unfortunate effect of cutting into my waist, causing a bulge that looks like chub above and/or below it. Not cool, given the sleek lines that a ballgown of this sort is supposed to achieve! And a good lesson/reminder that quick fixes make for more work in the long run!
-CInch the bodice in along the armscye edges, especially where it is gaping along the left armscye - another fitting modification that is not a minor matter because so many appliques will have to be gently partially-removed, then reappplied.
-Properly-attach the corsage flowers (just safety-pinned in place for performance), preferably with snap-rigging so they can be removed when I get the gown cleaned.
-Finish the matching applique headpiece (not shown, because I had to give up on it and just pinn some flowers into my hair.
-Apply a few hundred rhinestones.

But even just getting to wear it in its present state, I was so happy!




I didn't plan my hair. And I'll never be able to duplicate it. I just twisted, pinned, and glued, twisted, pinned, and glued. I think I'm finally starting to get the hang of this whole "ballroom dancer hairstyles" thing. The key is to use a TON of gel and hairspray.


This is my international standard ballroom instructor, Vladimir Martinek. Sorry, ladies (and gentlemen)... he's taken... and then some.


Oh, and that's right... I did some dancing in this fancy get-up!



If you want to see more of the technical details about how I have been designing and building this thing, head over to my style blog, Circle of Clothes, where you'll find an extended post on the topic.